This is not just a question of gaping at a. , and musing sagely if the child prodigy will be able to mature into a genuine artist. comment. The exact inspiration for each piece is not clear. which is relentlessly pulverising rather than frenetic, leading with gripping inevitability to a bone-crushing final catastrophe. 23 (1835) Ballade No. Emil Gilels, piano A1 Ballade No. Curiously, although this was to be his third version of the Scherzos, he had never recorded the Ballades before. It is true that Arrau is less scintillating than many in the more bravura passages of the work, but this is a performance to treasure for the beauty and gravitas of its musical soul. 1 in G minor, Op. 2 The main recording by Ashkenazy, taken from his Decca box set, has that emotionally searching quality that is one of the hallmarks of this artist. 5-8: Scherzos Nos. His playing demonstrates of the noblity of which he speaks, the lack of exaggeration, the anticipation, the longing, and when the climactic moment that is prepared during the class does come, it is just right. Chopin, ballade op.23 n.1 in G minor Settembre 02, 2014, 05:33:51 pm Come anticipatovi nel post di presentazione ecco qui l'unico video che ho di una mia esecuzione, la famosa ballata in sol minore di Chopin. Includes Chopin’s Ballades 1-4 and Scherzos 1-4, recorded by pianist Arthur Rubinstein in 1959 and originally released by RCA. 9 No. But if forced to take just one performance to the proverbial desert island, it would be Krystian Zimerman. Écoutez Chopin: Works for Piano par Arthur Rubinstein sur Deezer. 1 in B flat minor played by Rubinstein.The Nocturnes, Op. Arthur Rubinstein - Chopin Ballade No. In many ways Martha Agerich’s interpretation is the polar opposite of Arrau’s, in her characteristic emphasis on the volatile, tempestuous aspects of the work. Track descriptions on Last.fm are editable by everyone. Yet there is plenty of the requisite majesty and drama too, and Ashkenazy’s peerless tonal refinement makes for a deeply satisfying listening experience. Allegro Maestoso 1. Email: ian@ianflint.com. Leave feedback. 23 No. His recording of the 1st Ballade, dating from 1959, certainly has those moments of insight, but some will feel that at times his. 23 effort, Chopin was said to have been inspired by the poem "Konrad Wallenrod" by Adam Mickiewicz. Adagio sostenuto, Sonata No. Every musical gesture is delivered with great conviction. His rubato is highly idiomatic and his phrasing wonderfully nuanced, although he is less ethereal than some in the more introspective episodes, especially the initial statement of the second subject. Towards the end of a titanic. Creative Commons Attribution-ShareAlike License, La campanella in G-Sharp Minor (From "Grandes études de Paganini", S. 141 / 3), Hungarian Rhapsody No. A new version of Last.fm is available, to keep everything running smoothly, please reload the site. Frédéric Chopin Arthur Rubinstein :: The Chopin Collection Ballade / Scherzos (Disco 5 de 11) 01 Ballade for piano No. Chopin was a perpetual revisor, and was on occasion even capable of sending substantially varied versions of the same work to his different publishers, so it would be ill-advised to argue for a frigid fidelity to the text in the performance of his music. Étude in A-Flat Major Op. 1 in G minor Op. 4 in C minor, Op. Barcarolle Op. 1 in G-minor and No. The Ballade had previously been associated exclusively with the literary world; it is found in the works of Goethe, Schiller, and other poets.In this Op. Its role at a pivotal moment in Roman Polanski’s 2002 film The Pianist has doubtless contributed to its celebrated status. When you rate your music, the site's music/social recommender can recommend … ✔Highly experienced, versatile pianist and teacher ✔Adults a speciality ✔100% student success rate in auditions, exams and placements, Tel: 07917 363376 1 in G minor, Op. Another performance of impeccable artistry comes from Andrei Gavrilov. Yet pianists from a bygone era such as Cortot don’t have a monopoly on extreme expressive freedom. 38, Ballade No. Chopin is credited with originating the Ballade genre for the piano. Polonaise in A-flat Major Op. The Ballade had previously been associated exclusively with the literary world; it is found in the works of Goethe, Schiller, and other poets.In this Op. Piano Lessons for Children 9:23 0:30. 4 in F-minor, which is unusually contrapuntal for Chopin. No. But in general Richter is fully responsive to the unfolding drama, and the denouement is suitably demonic. 1 in G minor, Op. 1 in G Minor, Op. Descarga Chopin ballade n 1 op 23 MP3 Aquí Gratis 2020. Let us know what you think of the Last.fm website. Another strength of this performance is the dazzling clarity of her fingerwork in the central section, giving a wonderful sense of caprice. 1 in B flat minor (Rubinstein Ashkenazy plays Chopin Nocturne Op.9 No.1 The Ballade No. 23. 23, composed in 1831 during the composer's early years in Vienna, was a reflection of his loneliness in the city far away from his home in Poland, where the November Uprising, a war against the Russian Empire's oppression of his people, was happening. Chopin is credited with originating the Ballade genre for the piano. The most poignantly lyrical performances are not necessarily the most riveting in the more magmatic or mercurial aspects of the work. 66 02 Ballade for piano No. Classical Piano Lessons 2 in F Major, Op. 4 in F minor, Op. 23, CT 2 . Chopin: Ballades Nos. 3 in C-Sharp Minor. 146 Given the range of richly rewarding interpretations on offer, from widely divergent artistic personalities, it’s clear that this piece of music truly inspires many of the world’s greatest pianists too. Here, his way with the third phrase of the main theme (bars 12-14) or the apogee of the second subject (bars 79-80), to give just two examples, is very rubato indeed, but seems to fit perfectly in the context. 9: No. This is indeed a magisterial account: granitic, turbulent when the music demands, but also with an enchanting sense of reverie in the second subject, truly faithful to Chopin’s sotto voce marking. my opinion) – in our times – rather shameful the piece had to be exploited in the film The Pianist ; I would have chosen for a piece from Liszt – considering what happenend with Chopin after he finished this amazing balad, Your email address will not be published. Entdecken Sie Chopin: Ballade No. The main theme is mournfully ruminative, setting the tone for a performance full of pathos, perhaps sometimes at the expense of propulsion. 60 in F-sharp Major. Lang Lang allows himself more poetic (and sometimes textual) licence than most of his colleagues, past and present. Rubinstein was temperamentally well suited to these works, moreso than in the Mazurkas and Preludes. 5) [1929-1951] 3 in A-flat, but the most elaborate ballade is No. The Ballade No. They are often linked to Chopin's four ballades, composed in roughly the same period; these exceptional works are examples of large scale autonomous musical pieces, composed within the classical framework, but surpassing previous expressive and technical limitations. 23 9:13 A2 Ballade No. Rather than detracting from the drama, this seems to magnify the ultimate annihilation. The opening bars in Zimerman’s hands immediately set the tone for a performance of great grandeur and finesse. The best known are No. More recently the sense of Zeitgeist around this masterpiece has been further enhanced by former, editor Alan Rusbridger’s book in which he outlines his endeavours to learn the piece against all the odds (, Having long occupied an exalted place amongst interpreters of this work, Pollini is well represented on YouTube, mainly in recordings taken from ‘live’ performances. Écoutez Chopin: Ballades par Arthur Rubinstein sur Deezer. 1 in G minor, Op. There are so many performances where the pianist gets carried away and adds too much rubato, and consequently the piece loses the long lines, structure and form essential for a compelling performance; not so with Rubenstein. 102 03 Ballade for piano No. 23, dates to sketches Frédéric Chopin made in 1831 during his eight-month stay in Vienna. The Chopin Ballade 1 is, to my mind, the most successful of the four. Your email address will not be published. The main body of the coda is not utterly relentless; instead he withdraws at the beginning of certain phrases, both tonally and rhythmically. 1-4: Ballades Nos. His recording of the 1st Ballade, dating from 1959, certainly has those moments of insight, but some will feel that at times his rubato and tonal shading step across the border from revelatory to wilful. No. The Ballade No. 136 04 Ballade for piano No. 1. Frédéric Chopin: Ballade No. 1-4, Nocturnes (Cortot, 78 Rpm Recordings, Vol. 80 Goldsmith Road It was composed in 1835-36 during the composer's early days in Paris and is dedicated to "Monsieur le Baron de Stockhausen," Hanoverian ambassador to France. Ballade No. 25: No. Addeddate 2010-05-21 04:22:02 Identifier ChopinBalladeNo.1rubinstein-bmg. Yet Agerich also finds room for a winningly tender second subject. 1 in G Minor, Op. 1. This article assesses the main recordings of the work available on YouTube, with the aim of helping you locate the most compelling performances. As I have understood – wrote & re-wrote Chopin this piece over a long period of time ( in many different moods & places) and felt deeply unsure about it – while after finishing it – hardly believed he wrote the most impressive balad ever. Rate Your Music is an online community of people who love music. 9:17 ... More by Arthur Rubinstein. 1 is majestic in breadth. Todas tus canciones favoritas lo encuentras en la mejor web para bajar música MP3XD.. Felicitaciones ahora puedes descargar está música en mp3 con alta calidad de 320kbps de audio completamente desde tu … The piece is in compound duple time (6/4) except for the short introduction (in 4/4) and the coda (in 2/2). This is another case when the popular notion is correct. In the midst of such a weighty reading, his rather insouciant way with the second limb of the second subject in the recapitulation (from bar 180) is rather quirky – hardly the. Here, his way with the third phrase of the main theme (bars 12-14) or the apogee of the second subject (bars 79-80), to give just two examples, is very. Play Song. For example, the version of the Polonaises included in this set were recorded in stereo - however, it is widely agreed that an earlier mono version is much better. 4 in C minor, Op. The Ballade No. As might be expected from Horowitz, this is a big-boned rendition, but there are also many charming individual moments of lyricism and a delightfully teasing quasi-waltz (from bar 140). 2 Polonaise No. Piano: Arthur Rubinstein Composer: Frédéric Chopin Producer: John Pfeiffer Reissue Producer: Daniel Guss See All Song Credits. Form. 23, Ballade No. 1999 Preview SONG TIME Ballade No. Play It again: An Amateur Against the Impossible, ABRSM Aural Test Style & Period Guide For Grades 5-8. Chopin's Piano Concerto #1 In E Minor, Op. Required fields are marked *, Adult Piano Lessons Start Station. From his suitably portentous introduction Gavrilov takes us on an absorbing journey through the work’s ever-changing landscapes. The opening bars in Zimerman’s hands immediately set the tone for a performance of great grandeur and finesse. Sections of the piece are technically demanding, requiring complex fingering, wide chords, octaves, extremely fast chords, and even a section of chromatic chords near the end. Preview, buy, and download songs from the album The Original Jacket Collection: Rubinstein Plays Chopin, including "Nocturnes, Op. The 50 greatest Chopin recordings Gramophone Monday, October 10, 2016 Complete with the original Gramophone reviews of 50 of the finest Chopin recordings available. 3 in A major, Op. 1, Arthur Rubinstein vs. Vladimir Horowitz vs. Emil Gilels vs. Byron Janis vs. Robert Casadesus (Compare 5 Versions) von Various artists bei Amazon Music. Unlike many others, Kissin observes Chopin’s. 52 is a ballade for solo piano by Frédéric Chopin, completed in 1842 in Paris. 2 in F major, Op. 69, No. The ‘live’ video of Lang Lang reminds us that not all today’s pianists are sanitized in comparison with their predecessors. Richter is also well-served on YouTube, mostly via recordings of various concerts from the 1960’s. 1 in G-minor, Op. Individual phrases are lovingly sculpted and intelligently related to each other; this thoughtful approach shines, for example, in his very organic transition between the first and second subjects (from bar 36). 3 in A major, Op. Chopin's first nocturne op. 43: V. Variation XVIII, Piano Concerto No. Descarga Chopin ballade n 1 op 23 MP3 Aquí Gratis 2020. 20 perf. 1 in G minor, Op. Next is a performance of the Chopin Ballade by Artur Rubinstein. This has much more of the impetuosity of youth (it’s over a minute shorter), the expression is in general more overt and the ferocity of the. 23 is the first of Frédéric Chopin's four ballades for solo piano. Share. Listen for the "Rubinsteinian pulse" as he takes you through the magnificant Ballade Nr.1, with its herald-like introduction, a menacing first theme, a warmer and more intimiate second theme and the fantasia-like episode that begins lightheartedly and then wells up into a dramtic ending. The term ballade was used by Chopin in the sense of a balletic interlude or dance-piece, equivalent to the old Italian ballata, but the term may also have connotations of the medieval heroic ballad, a narrative minstrel-song, often of a fantastical character. Start Station. Chopin’s extraordinary Ballade No.1 seems to inspire serious students of the piano, whether dedicated hobbyists or aspirant professionals, like no other single piano work. Chopin* - Rubinstein* ‎– The Chopin Ballades Label: RCA Victor Red Seal ‎– LSC-2370-B, RCA Victor Red Seal ‎– LSC 2370-B This Russian artist strikes a fine balance between respect for the score and apparent spontaneity. stipulated by the composer. 23, composed by Frédéric Chopin in 1831 during the composer’s early years in Vienna, was a reflection about his loneliness in the city far away from his home in Poland, where a war was happening against the Russian Empire’s oppression. Overall, Zimerman’s interpretation has a severity that seems entirely appropriate, no more so than in the main body of the coda which is relentlessly pulverising rather than frenetic, leading with gripping inevitability to a bone-crushing final catastrophe. 23, was completed in 1835 in Paris.. Ballade No. There is a remarkable ‘live’ recording by the 14-year-old Umi Garrett. View credits, reviews, tracks and shop for the Vinyl release of Ballades Nos. For more convincing examples of rhythmic flexibility one might turn to Claudio Arrau. But in general Richter is fully responsive to the unfolding drama, and the denouement is suitably demonic. There’s not much red-blooded passion here, and the performance isn’t free of his ‘left hand before right’ mannerism, but there are substantial compensations, notably an irresistibly languid second subject. He's one of the few pianists that doesn't fall into schmaltzy mannerisms or sentimentalism in Chopin's great Ballade #1. Chopin – Ballade No. There is an earlier ‘live’ performance by Ashkenazy, recorded in Moscow in 1963. Connect your Spotify account to your Last.fm account and scrobble everything you listen to, from any Spotify app on any device or platform. It was composed in 1835-36 during the composer's early days in Paris and is dedicated to "Monsieur le Baron de Stockhausen," Hanoverian ambassador to France. This is a highly convincing performance, poised and intelligent, titanic when necessary but devoid of hyperbole. This piece I listen always in two-channel SACD. This has much more of the impetuosity of youth (it’s over a minute shorter), the expression is in general more overt and the ferocity of the coda even more seismic. This is music-making of the utmost sincerity, and Gavrilov always directs his stupendous physical prowess to the service of the music. 23 Arthur Rubinstein From the album The Chopin Ballades & Scherzos. Frédéric Chopin's four scherzos are single-movement pieces for solo piano, composed between 1833 and 1843. The countless admirers of Arthur Rubinstein would cite the sheer individuality of his poetic sensibility as one of the crowning glories of his playing. 23 is the first of Frédéric Chopin's four ballades for solo piano. There is much profundity in both main themes (although the slightly halting quality in the first theme is somewhat curious), and the central section pulsates with verve and playfulness. Its role at a pivotal moment in Roman Polanski’s 2002 film, has doubtless contributed to its celebrated status. (bar 180) in the recapitulation of the second subject, giving this section a great sense of élan. The music is built from two main themes, the first introduced in bar 7 after the short introduction, and the second in bar 69. More recently the sense of Zeitgeist around this masterpiece has been further enhanced by former Guardian editor Alan Rusbridger’s book in which he outlines his endeavours to learn the piece against all the odds (Play It again: An Amateur Against the Impossible). Chopin Nocturne No. 3 in A flat major, Op. I’m all for Andrei Gavrilov – he uses the pedals only where needed. Feel free to contribute! 23 is a ballade for solo piano by Frédéric Chopin, completed in 1835.It is one of Chopin's most popular works. 1 in G minor, Op. In a studio version captured on video, Michelangeli offers an aristocratic reading, understated and seemingly effortless. Be the first one to write a review. Chopin’s extraordinary Ballade No.1 seems to inspire serious students of the piano, whether dedicated hobbyists or aspirant professionals, like no other single piano work. However, he notated the rhythm of this Ballade’s introduction so precisely that it seems appropriate to adhere to his written intentions. This is indeed a magisterial account: granitic, turbulent when the music demands, but also with an enchanting sense of reverie in the second subject, truly faithful to Chopin’s. There is an earlier ‘live’ performance by Ashkenazy, recorded in Moscow in 1963. 4 in F minor, Op. Frédéric Chopin's four ballades are single-movement pieces for solo piano, composed between 1831 and 1842. 23 is the first of Frédéric Chopin's four ballades for solo piano. 3 in A-Flat Major, Op. 1 in G minor, Op. 1 in G Minor, Op. Even in this performance, though, there is sometimes an unwarranted heavy-handedness, a certain lumpiness in the phrasing and rhythmic relationships: These less appealing characteristics are more pronounced on the various other Horowitz performances on YouTube. Its role at a pivotal moment in Roman Polanski’s 2002 film… 38, Ballade No. The countless admirers of Arthur Rubinstein would cite the sheer individuality of his poetic sensibility as one of the crowning glories of his playing. 23 effort, Chopin was said to have been inspired by the poem "Konrad Wallenrod" by Adam Mickiewicz. Of the many versions available on YouTube, recorded at various stages of his career, perhaps the most consistently fulfilling is one dating from 1953. Chopin cited the poet Adam Mickiewicz as an influence for his ballades] (this according to a rumour based on a remark by Robert Schumann concerning the genesis of Chopin's second ballade). Rubinstein recorded most of Chopin's works three or four times during his lifetime. A typical performance lasts nine to ten minutes. 2 in F Major, Op. Of the many versions available on YouTube, recorded at various stages of his career, perhaps the most consistently fulfilling is one dating from 1953. Jun 10, 2014 - http://en.wikipedia.org/wiki/Nocturnes,_Op._62_%28Chopin%29#Nocturne_in_B_major.2C_Op._62.2C_No._1 Video 17 of 154 from my Chopin Collection. 2 Polonaise No. 1 "L'Adieu" Frédéric Chopin Artur Rubinstein 3:30 3 Valse Op. Tel: 07917 363376 1 in G minor, Op. There are also various ‘live’ performances by Michelangeli (posted by ‘RabidCh’ and ‘incontrario motu’ among others) which are by no means carbon copies of each other, but in general he seems more emotionally involved and allows himself more expressive freedom (not always to the music’s advantage) than in the video recording. The Ballade No. 2 in C minor, Op. Chopin Ballade No.1, Op.23 G Minor Valentina Lisitsa Arthur Rubinstein - Chopin Ballade No. Categories Historical Recordings, Romantic Period, Solo Keyboard Tags Arthur Rubinstein, Chopin, Chopin Ballade No. For more convincing examples of rhythmic flexibility one might turn to Claudio Arrau. 9 No. 1 in G minor, Op. 2 1 Comment Catalog, rate, tag, and review your music. For some reason, several recordings here are actually not the best ones in his recorded output. Interesting and enlightening post. Chopin’s extraordinary Ballade No.1 seems to inspire serious students of the piano, whether dedicated hobbyists or aspirant professionals, like no other single piano work. 23 Chopin Ballade No.1, Op.23 G Minor Valentina Lisitsa Download SoundHound The only App that can give you results through singing and humming search! Throughout the work Pollini’s phrasing comes in long, organic paragraphs, contributing to an inexorable sense of the work’s overall architecture. His, is highly idiomatic and his phrasing wonderfully nuanced, although he is less ethereal than some in the more introspective episodes, especially the initial statement of the second subject. The Ballade No. The Ballade No. 1 in G minor, Op. But along the way, there is a buffet of delights encouraging a range of options for differences of interpretation. 23, Ballade No. All user-contributed text on this page is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. Chopin was a perpetual revisor, and was on occasion even capable of sending substantially varied versions of the same work to his different publishers, so it would be ill-advised to argue for a frigid fidelity to the text in the performance of his music. 1 in G minor, Op. even more seismic. Scherzo No. However, if one can disregard his distortions of Chopin’s text in, for example, the second subject, one can be drawn into a quasi-improvisatory dreamscape that is oddly intoxicating. 44. Overall, Zimerman’s interpretation has a severity that seems entirely appropriate, no more so than in the main body of the. Complete your Chopin* - Artur Rubinstein* collection. Share. For example, the way he curtails the very first note of the piece or flattens out the triplet in bar 4 seem difficult to justify. Song Credits. Indeed one version (posted by ‘boomzxz’) is nothing short of a travesty. Chopin Ballade for Piano by Arthur Rubinstein, piano Recorded: 1959. Both themes return in different guises. 3 in A flat major, Op. Polonaise in F-sharp Minor Op. 1 in G Minor, Op. They are considered to be some of the most important and challenging pieces in the standard piano repertoire. Unlike many others, Kissin observes Chopin’s con forza (bar 180) in the recapitulation of the second subject, giving this section a great sense of élan. For example, the way he curtails the very first note of the piece or flattens out the triplet in bar 4 seem difficult to justify. and the sheer slowness of the final octave descent (perhaps too melodramatic for some listeners) crown the work with an epic fatalism. Label: RCA Red Seal - ARL1 0625,RCA Red Seal - ARL 1 0625 • Format: Vinyl LP, Stereo • Country: France • Genre: Classical • Style: Romantic Chopin* / Rubinstein* - Les Ballades (Vinyl) | Discogs 58 Polonaise No. Ashkenazy, Gavrilov, Kissin, Pollini, Perahia and Zimerman are amongst the most enthralling communicators of Chopin’s kaleidoscope of emotions. The Ballade No. Unfortunately the rather muffled sound quality of the recording is not commensurate with the quality of the playing. Escuchar y Descargar Música Chopin ballade n 1 op 23 MP3 para llevar en su celular donde quiera que se encuentre. It was composed in 1835-36 during the composer's early days in Paris and is dedicated to "Monsieur le Baron de Stockhausen," Hanoverian ambassador to France. Towards the end of a titanic coda, his pronounced rubato and the sheer slowness of the final octave descent (perhaps too melodramatic for some listeners) crown the work with an epic fatalism. Join Classical Music Only and discover unknown masterpieces, create endless lists, see discussions of your favorite composers on your personalized homepage timeline and much more! 3 in A flat major, Op. The central A major statement of the second theme is toweringly imperious. It was originally published on pianoteachernorthlondon.com. Friern Barnet, London Other versions might be more captivating in individual aspects of the work, but few achieve Perahia’s cohesion, both in the relationships between individual phrases and the logic of the overarching structural framework. List and review the concerts you've attended, and track upcoming shows. Todas tus canciones favoritas lo encuentras en la mejor web para bajar música MP3XD.. Felicitaciones ahora puedes descargar está música en mp3 con alta calidad de 320kbps de audio completamente desde tu … Guest article by Ian Flint, a pianist and piano teacher based in North London. 40 No. They are in good company: Chopin apparently told Schumann that this Ballade was his favourite among his own works. Play Song. 1 in G minor ('Polish') Op. It is true that Arrau is less scintillating than many in the more bravura passages of the work, but this is a performance to treasure for the beauty and gravitas of its musical soul. Ballade No.1 in g minor - Op.23 Download MP3 ( 10.36 Mo ) : interpretation (by Donald Betts) 5450x ⬇ 6043x Mp3 performed by Donald Betts (Public domain from musopen.com) 1 – Grimaud, Piano Ballade No. His introduction is restrained rather than consciously arresting, and leads to a subdued main theme, cowed with sorrow. 2 in F major, Op. He plays it fairly straight with his own subtle touches. indeed, but seems to fit perfectly in the context. The recording quality is admirably clear but shows its age in an occasional hard edge to the piano sound. We and our partners use cookies to personalize your experience, ... Chopin's Ballade #1 In G Minor, Op. is all about longing ( as well as for closure as for the lightheartedness of spring With Chopin there's often music waiting behind the music and when played with rubinstein's innate sensitivity secrets seem to spill from the piano. Every musical gesture is delivered with great conviction. No. 2 in C-sharp minor, S. 244/2, Rhapsody on a Theme of Paganini, Op. Rubinstein was in his prime when these versions of the Chopin Ballades and Scherzos were recorded in 1959. 1 in G minor, Op. Richter is also well-served on YouTube, mostly via recordings of various concerts from the 1960’s. 38, B. 4 in F minor, Op. Links, Ian Flint 23 In G Minor . Email: ian@ianflint.com 6 in A flat major, Op.53 ‘Heroic’ Ballade No. 47 No. Chopin Classics, an album by Arthur Rubinstein on Spotify. 1, 2, 3 & 4 on Discogs. There is a remarkable ‘live’ recording by the 14-year-old Umi Garrett. 1 (Rubinstein-BMG) Audio Preview ... 1 - 01 Chopin_ Ballade #1 In G Minor, Op. The central A major statement of the second theme is toweringly imperious. 35, No. 52, B. Rather than detracting from the drama, this seems to magnify the ultimate annihilation. This is not just a question of gaping at a Wunderkind, and musing sagely if the child prodigy will be able to mature into a genuine artist. 53. Thank you. We have the Polish-born pianist performing the 4 Ballades and 4 Scherzos by Frederic Chopin on an RCA SACD. Another performance of impeccable artistry comes from Andrei Gavrilov. Nocturne in B-Flat Minor Op. 1 in G minor, Op. Register now to continue reading Thank you for visiting Gramophone and making use of our archive of more than 50,000 expert reviews, features, awards and blog articles. 1 ‘Military’ Polonaise No.